Monday, August 23, 2010

My TWO favorite Christian speculative fiction novels.

The Christian Science Fiction and Fantasy blog tour has asked it's tour members to name their favorite Christian speculative fiction books. I have two I'd like to mention!

1) My all time favorite is The Year of the Warrior by author Lars Walker
2) Coming in second is the wonderful story Blaggards Moon from author George Bryan Polivka.

To start things off, I'd like to begin with George Bryan Polivka's Blaggards Moon. This is what I like to describe as a pirate fantasy. It is a stand alone book, and at the same time, a prequel to Polivka's Firefish series (which are great reads!)

Blaggard's Moon, is in a class of it's own. Polivka's characters are what drives this often funny, sometimes tragic story. Several story lines from a score of characters weave together, be it ruthless pirate captains, the bumbling pirate crewmen, pirate hunters, greedy shipping managers, or the main story--which is a love story revolving around Jenta, a poor girl whose beauty makes her a prize in the eyes of the wrong people. If you haven't read this book. It is a must read!

Click HERE for my full review of Blaggards Moon! And here's Part 1 and Part 2 of an author interview.


Now to The Year of the Warrior, a mix of heroic fantasy and historic fantasy set in Viking Norway around 1000 A.D. during the spread of Christianity. This is not only my favorite Christian speculative fiction book, it is one of my top five books ever read in any genre (think The Road by Cormac McCarthy, or Of Mice and Men by Steinbeck). This beautifully written novel is an unknown treasure. Lord of the Rings and The Chronicles of Narnia are considered by many Christians to be literary classics. I would emphatically add The Year of the Warrior right beside them. In comparison to the aforementioned classics, TYOTW is bloodier, more humorous, more tragic, more evangelistic, more raw and real. This is one book that could seriously alter a hostile non-believers feelings about Christianity. It isn't preachy. It is honest. And it is also a gripping battle between good and evil, pagan dieties and the Living God. (and it was published by Baen books, a major secular publisher!)

If you want my full review of TYOTW Click HERE! Or check out some of the Amazon reviews on it HERE. And I also interviewed Mr. Walker on my blog a while back, click HERE for that!

Also, The year of the Warrior is out of print, but it is available electronically at Baen books HERE! (Get it! Or fore-go reading an incredible story!!)

Pictured to the left is Walkers newest book, West Oversea. It is a follow up novel to The Year of the Warrior and it is also excellent. For my review of West Oversea click HERE.

If you want to check out other bloggers opinions on favorite speculative fiction books, click on the list below. But be forewarned, if The Year of the Warrior isn't mentioned, it's likely because they haven't read it!!  :)

Brandon Barr
Thomas Clayton Booher
Keanan Brand
Grace Bridges
Beckie Burnham
Morgan L. Busse
Jeff Chapman
CSFF Blog Tour
Stacey Dale
D. G. D. Davidson
Jeff Draper
George Duncan
April Erwin
Andrea Graham
Tori Greene
Ryan Heart
Timothy Hicks
Becky Jesse
Jason Joyner
Julie
Carol Keen
Krystine Kercher
Mike Lynch
Rebecca LuElla Miller
New Authors Fellowship
John W. Otte
Donita K. Paul
Chawna Schroeder
James Somers
Speculative Faith
Rachel Starr Thomson
Steve Trower
Jason Waguespac
Fred Warren
Dona Watson
Phyllis Wheeler
KM Wilsher

Thursday, August 12, 2010

Fiction editing: edit me Thursday #4

Welcome to another Edit me Thursday post where I'll be editing a page submitted by...well...anyone! To submit a one-page piece (or less) of your own writing email me at: bjbstories @ yahoo. com  (You're identity will be kept anonymous!)


Disclaimer: About my editing style...I chip a lot, I tweak a lot, and I analyze everything to the Nth degree. So as with anybody’s edits, they’re only suggestions, and they reflect my own writing style. I’ve had many occasions where someone suggests an edit that harmed the story rather than helped it. But hopefully the edits below make good sense.

My Goal:  To maintain the author's story and the authors voice while improving the story's flow, structure, vocabulary, clarity, action (non-passivity), and general readability.

When you (anyone reading this blog) finish looking over the changes I made to the entry below, let me know what you think? Did the edits help, or was it better off untouched? Or did you really like/dislike one particular edit I made? Let me know (and the author know) in a comment!

1) Draft sent to me
2) My edit
3) Suggestions and explanations
4) Clean draft with Brandon's edits


1) Draft sent to me

Chance heard a creak in the darkness behind him in the direction of the hallway and he immediately set the mainframe detonator.  His checklist of sabotage was finally complete.  The door behind him crashed open, and Chance jumped onto the table, changing in mid-leap into an ape.  With legs made for leaping, he catapulted himself up toward the window ledge above him, and just in time.  He felt the air behind him move; felt the near-touch of his would be captors.  He turned to see who it was, and his eyes adjusted in the darkness to see – a tiger.  His shock nearly undid him, but as the tiger sprang for him, he reacted quickly, slipping out of the window and leaping into the air, again changing – but this time into a bat.  He flapped his wings madly for a moment, and then glided away into the dark shadow of the building.  Once in a secluded corner, he changed once again, this time into a cheetah.  With quick strides he sprinted across the deserted parking lot and down the nearby street.  He knew he wouldn’t have much time to sprint in this form.  The cheetah was fast, but only for short sprints.  He made it through the small town, and transformed into a dog, as he loped into the grassy sand dunes.

            Knowing that pursuit could be right behind him, he continued to run until he was splashing in the shallow waves.  As his paws left the ground and he paddled into the water, he transformed back into his normal man shape, and stroked as powerfully as he could into the deeper water, diving under the waves, changing into a shark.  He swam on as a shark for a while, and then as the water became deeper, and he left all vestiges of waves behind him, he changed again, lengthening and growing into a whale.  As he surfaced to take in air, he heard an explosion behind him, almost deafening in this form.  The waves of sound traveled through the water with an intensity he hadn’t anticipated.


2) My edit

Chance heard a creak in the darkness behind him in the direction of the hallway and he immediately set the mainframe detonator.  His checklist of sabotage was finally complete ("checklist" snatches me out of the scene...it conjures an image of someone actually making a tally on an actual "sabotage list". And that comes across humorously in my mind. If saying something along these lines is really important, then perhaps "His last act of sabotage was complete" but if this sentence can be removed from the story whole, then remove it.).  The door behind him crashed open(.), and Chance jumped onto the table, changing in mid-leap into an ape.  With powerful legs made for leaping(leap was used in last sentence), he catapulted himself up toward the window ledge above him, and just in time.("just in time" is telly. Deflates the power of the next sentence)  He felt the air behind him move; felt with the near-touch of his pursuer would be captorsReaching the ledge, H(h)e turned to see who it was, and his eyes adjusted in the darkness to see – a tiger.  His The  shock nearly undid him(.), but as t (T)he tiger sprang for him, he reacted quickly, and he dove slipping out of the window and leaping into the air, again changing – but this time into a bat.  He flapped his wings madly for a moment, and then glided away down into a the darkened crevice shadow of at the foot of the building (the bat needed to be on the ground before the next sentence when he turns into a cheetah--that's why I made the changes to this sentence).  Once in a secluded corner, he changed once again Chance altered shape, this time into("this time into a" was used already) --a cheetah.  With quick strides he sprinted across the deserted parking lot and down the nearby street.  He knew he There wouldn’t have be much time to sprint in this form.  The cheetah was fast, but only for short sprints.  He made it through the small came to the edge of town, his thin lungs weezing.(I felt he should be weezing after the mention of a cheetah only running for short sprints...plus it creates tension) and There, he transformed into a dog, as he and loped into the grassy sand dunes.(Can you call sand dunes grassy? Having read the next paragraph, these "dunes" are a beach. perhaps simply call it such... "he loped onto the sandy beach.")

            Knowing that The pursuit could be right behind him was not over, he could feel it. Call it a canine's sixth sense.(The phrase felt too formal and created distance between the character and the reader, the change I made keeps the reader right there with Chance, adds tension, and even exploits Chance's temporary doggy attributes.) , h (H)e continued to run until he was splashing in the shallow waves.  As his paws left the ground and he paddled into the water, he transformed back into his normal man human shape, and stroked as powerfully as he could into the for deeper water(.), d (D)iving under the a waves, he changed ing into a shark, and with one thunderous thrust of his tail he was in fifty feet of water and he had become a whale.(I felt with the constant morphing, at the end it became too much, so I felt tightening the details between him going from shark to whale was necessary to preserve the tension.)  He swam on as a shark for a while, and then as the water became deeper, and he left all until the last vestiges of the waves lay behind him, he changed again, lengthening and growing into a whale.  As he surfaced to take in air, he heard an explosion behind him, almost deafening in this mammalian form.  The waves of sound traveled through the water climaxing with an horrific intensity he hadn’t anticipated.
-Oohh, what will happen next! We are all in suspense! :)


3) Suggestions and explanations

Well, as you can see, I explained most things in the orange font within the edit.

-Basically all I did was tighten, and add a few things to draw the reader into the character(the cheetah's weezing, the dog's sixth sense).  Sometimes tightening requires a slight restructuring of a sentence. This is good. To look at each sentence and see if it can be improved, tightened, made more active is always fun, because afterwords you're rewarded with a more potent sentence, and ultimately, a more gripping story.

-One further possibility/suggestion for this piece is to cut out some of the morphing going on. That would help prevent the morphing from being repetitive. Which animal(s) to eliminate would be a tough choice in my opinion.

I found this week's selection very engaging. The author has an exciting story on their hands! And by the way everyone, I had a professional editor go through the last novel I finished and do the same thing. It was wonderful to see what she did, and I learned a ton! Much of what you see above here is a result of what she taught me. Alethea Eason is her name, and she's the author of the YA sci-fi novel, Hungry.


4) Clean draft with Brandon's edits

Chance heard a creak in the darkness behind him and immediately set the mainframe detonator.  The door behind him crashed open. Chance jumped onto the table, changing mid-leap into an ape.  With powerful legs, he catapulted himself toward the window ledge above him, and felt the air behind him move with the near-touch of his pursuer.  Reaching the ledge, he turned to see who it was, and his eyes adjusted in the darkness to see – a tiger.  The shock nearly undid him. The tiger sprang and he dove out the window, again changing – but this time into a bat.  He flapped his wings madly for a moment, and then glided down into a darkened crevice at the foot of the building.  Once again Chance altered shape--a cheetah.  With quick strides he sprinted across the deserted parking lot and down the nearby street. There wouldn’t be much time to sprint in this form.  The cheetah was fast, but only for short sprints.  He came to the edge of town, his thin lungs weezing. There, he transformed into a dog and loped into the beach.

The pursuit was not over, he could feel it. Call it a canine's sixth sense. He continued to run until he was splashing in the shallow waves. As his paws left the ground, he transformed back into his human shape, and stroked powerfully for deeper water. Diving under a wave he changed into a shark, and with one thunderous thrust of his tail he was in fifty feet of water and he had become a whale. As he surfaced to take in air, he heard an explosion behind him, almost deafening in this mammalian form.  The waves of sound traveled through the water, climaxing with horrific intensity.

Monday, August 9, 2010

A review of West Oversea by Lars Walker

I was delighted to read West Oversea written by Lars Walker. The book is published by Nordskog Publishing, and I have to say they made an excellent decision signing on this author! West Oversea is the sequel to The Year of the Warrior, and Walker has again written a wonderful tale of adventure, heartache, and vikings.

In this epic journey, Irish priest Father Aillil accompanies viking hero, Erling Skjalgsson on a journey to Greenland, and there are many demons and temptations waiting for them along the way.

One of the many blessings of these books is the fact that Walker stays true to the characters that lived in these time periods. With the Christianization of the viking culture, there is an epic clash between the old pagan ways and the new Christianity that is, now in this second book, completely dominant. Christianity and paganism clash in ugly, real, and thought-provoking ways.

I'm a firm believer in showing the WHOLE picture, and though this books is a historical fantasy, it presents an entertaining and enlightening story that doesn't shy away from the reality of that time period.

Also of note is the way Walker writes. He seems to draw inspiration from the original viking histories that have survived over the centuries. It leaves the reader with a powerful sense of the time period.

Did I mention the writing is beautiful.

When I read The Year of the Warrior, Walker skyrocketed to my top five list of favorite authors, and after reading West Oversea, he remains there.

If you want an amazing sword and sorcery historical fantasy that is a shining example of how a Christian author can write fiction that is both deeply Christian, and yet honest, pick up The Year of the Warrior, and West Oversea. You've got to read them both!

(If one wants to read The Year of the Warrior, it's out of print, but you can buy the ebook for $4 HERE. And West Oversea is available pretty much wherever books are sold. I got mine at Barnes and Noble)

Thursday, August 5, 2010

Fiction editing: edit me Thursday #3

Welcome to another Edit me Thursday post where I'll be editing a page submitted by...well...anyone! To submit a one-page piece (or less) of your own writing email me at: bjbstories @ yahoo. com  (You're identity will be kept anonymous!)

Disclaimer: About my editing style...I chip a lot, I tweak a lot, and I analyze everything to the Nth degree. So as with anybody’s edits, they’re only suggestions, and they reflect my own writing style. I’ve had many occasions where someone suggests an edit that harmed the story rather than helped it. But hopefully the edits below make good sense.

My Goal:  To maintain the author's story and the authors voice while improving the story's flow, structure, vocabulary, clarity, action (non-passivity), and general readability.

When you (anyone reading this blog) finish looking over the changes I made to the entry below, let me know what you think? Did the edits help, or was it better off untouched? Or did you really like/dislike one particular edit I made? Let me know (and the author know) in a comment!

1) Draft sent to me
2) My edit
3) Suggestions and explanations
4) Clean draft with Brandon's edits


1) Draft sent to me

Areli spun on his heels, flashlight in hand, to find two middle-aged men standing before him.  The one on the left was a tall, lean brute of European descent wearing a dirty trench coat and a long white head of hair, which flowed into an unruly beard.  His companion was much shorter and seemed to have some distant Asian roots.  He was wearing a tight t-shirt and a pair of jogging pants.  It was not the rough look of the two that concerned Areli so much as the long steel rod the tall one carried at his right hip. 
         “Ow’re ya findin’ yerself in these parts at this hour, mate.”  A gruff voice issued from the owner of the metal weapon.
         “Just on my way out, friend,” Areli replied calmly.
   
“Had better choose your words more carefully,” sneered the aggressor’s companion, “Wouldn’t wanna give the wrong impression.  Not out here.”
         “Thank you.  I’ll remember that.  Now if you’ll excuse me, I’ll just be on my way.”
         “Sure, sure.  Ri’ after ya hand over yer pack,” were the final words from the tall one.
         Areli sighed deeply and assumed the stable base he had so often taken on the mat.  The dirty syncrete under him, however, was not nearly so stable, nor as forgiving, as the flooring in which he had grown accustomed.  Keeping this in the back of his mind, Areli looked rapidly back and forth at the two figures in the night.
         The first move came from the smaller of the two.  Issuing forward with lightning speed, he attempted to secure the flashlight Areli held in his right hand.  Just barely avoiding the lunging arms, Areli delivered a left elbow to the side of the head of the attacker, who, in turn, dropped heavily to the ground.  This only barely gave his accomplice time to strike Areli in the left shoulder blade with his makeshift weapon.  Staggering sideways, Areli quickly regrouped and reengaged.  Blocking another wild swing of the rod with his flashlight, just as the noble warriors did so many centuries before, he caught the dark figure square in the left side of his rib-cage with a tight left fist, followed by a final blow to the jaw with his light, which placed the fiend next to his companion on the ground.  Transferring his flashlight to the left hand so he could hold his throbbing shoulder with the right, Areli quickly made off with newfound energy in the direction of the city wall.


         2) My edit

Areli spun on his heels, gripping his flashlight in hand,(.) to find t (T)wo middle-aged men stood standing before him.  The o (O)ne on the left was a tall, lean brute of European descent wearing a dirty trench coat and a long white head of hair, which flowed into an unruly beard (too much description).  His companion was much shorter and seemed to have some distant a short Asian roots.  He was wearing a tight t-shirt and a pair of jogging pants.  It was not the rough look of the two that concerned Areli so much as the long steel rod the tall one carried at his right hip. 
         “Ow’re ya findin’ yerself in these parts at this hour, mate.(,)came the A gruff voice issued from the owner of the metal weapon.
         “Just on my way out, friend,” Areli replied calmly.
   
“Had better choose your words more carefully,” sneered the aggressor’s companion short Asian, “Wouldn’t wanna give the wrong impression.  Not out here.”
         “Thank you.  I’ll remember that.  Now if you’ll excuse me, I’ll just be on my way.”
         “Sure, sure.(,)" said the tall one, "Ri’ after ya hand over yer pack,(.)were the final words from the tall one.  
         Areli sighed deeply and assumed the stable base fighting stance he had so often taken on the mat.  The dirty syncrete under him, however, was not nearly so wasn't as stable, nor as forgiving, as the flooring in which he had grown was accustomed toKeeping this He kept this in the back of his mind, Areli looked rapidly back and forth at the two figures in the night.
         The first move came from the Asian smaller of the twoIssuing He sprang forward with lightning speed, he attempted to secure snatching at the flashlight Areli held in his Areli's right hand.  Just barely avoiding the lunging arms, Areli delivered a left elbow to the side of the his head of the attacker's head(.), who, in turn, The man dropped heavily to the ground.  This only barely gave his accomplice time to strike  (paragraph break)
         An agonizing pain exploded in Areli's in the left shoulder blade with his makeshift weapon.  Staggering sideways, he Areli quickly regrouped and reengaged saw the tall brute lift the steel rod for a second strikeBlocking another Areli blocked the wild swing of the rod with his flashlight, just as the noble warriors did so many centuries before, he then caught the dark figure square in the left side of his rib-cage with a tight left fist(.), followed by a. The man doubled over and Areli final blow to uppercutted the man's jaw with his light, which placing ed the fiend him next to his companion on the ground.  Transferring his flashlight to the left hand so he could hold his throbbing shoulder with the right,  (paragraph break)
       Areli grimaced as he touched his shoulder. He had to keep moving.  quickly made off w(W)ith newfound energy he made off in the direction of the city wall.


         3) Suggestions and Explanations

It's a good action scene, it just needed tightening and some weeding out of "distance creating language" or passive voice. Finding dynamic ways to rephrase an action sequence really brings the scene to life.

Also, in action sequences. Break up the action. It becomes passive voice all too easily when trying to string too many actions together. It's all about finding that perfect prose flow.

In an action sequence, one can't be too descriptive, because it slows the reader down and diffuses the sense of urgency necessary to create the right cadence for an action scene.

Also the character receives an injury to his arm. I think its necessary for him to remember his pain (touching it and grimacing) that way it maintains the realism, and doesn't move on as if he had never been injured at all. (and a metal pipe to the shoulder seems pretty rough!)


         4) Clean draft with Brandon's edits

         Areli spun, gripping his flashlight. Two middle-aged men stood before him.  One was a tall, lean brute of European descent wearing a dirty trench coat.  His companion was a short Asian wearing a tight t-shirt and jogging pants.  It was not the rough look of the two that concerned Areli so much as the long steel rod the tall one carried at his right hip. 
         “Ow’re ya findin’ yerself in these parts at this hour, mate,” came the gruff voice from the owner of the metal weapon.
         “Just on my way out, friend,” Areli replied calmly.
   
“Had better choose your words more carefully,” sneered the short Asian, “Wouldn’t wanna give the wrong impression.  Not out here.”
         “Thank you.  I’ll remember that.  Now if you’ll excuse me, I’ll just be on my way.”
         “Sure, sure," said the tall one, "Ri’ after ya hand over yer pack.”

         Areli sighed deeply and assumed the fighting stance he had so often taken on the mat.  The dirty syncrete under him wasn't as stable, nor as forgiving, as the flooring he was accustomed to.  He kept this in the back of his mind.
         The first move came from the Asian.  He sprang forward with lightning speed snatching at the flashlight in Areli's right hand.  Areli delivered a left elbow to the attacker's head. The man dropped heavily to the ground. 
         An agonizing pain exploded in Areli's left shoulder.  Staggering sideways, he saw the tall brute lift the steel rod for a second strike.  Areli blocked the wild swing with his flashlight then caught the dark figure square in the rib-cage with a tight left fist. The man doubled-over and Areli uppercutted the man's jaw with his light, placing him next to his companion on the ground.
       Areli grimaced as he touched his shoulder. He had to keep moving. With newfound energy he made off in the direction of the city wall.

Tuesday, August 3, 2010

My interview, radio show, and a few reviews of American Midnight

Hey friends,
just wanted to let you know about a few cool things going on.

Right now KM Wilsher is hosting an American Midnight week on her blog. Monday she interviewed me, Wednesday she interviews Mike (my co-author) and then Friday she reviews the book. Go check it out HERE :)

I did a radio interview with the Greenlight Project. It was a round table with Mike Lynch and three other authors. The link to that is HERE.

American Midnight was also reviewed by one of the editors over at Mindflights Magazine. Check out her review at her blog HERE.

And lastly, Bibliophiles retreat reviewed the book HERE.

Sorry to overload you, but I figured I'd get all that out at once!

Monday, August 2, 2010

Author interview with David Gelber

Today we're interviewing writer (and surgeon) David Gelber, author of the science fiction novel, Future Hope.

First off, I dig the cover on this book. The old fashioned 1930's version of a spaceship is sleek, nostalgic and beautiful. Something about that old science fiction art that was completely free to imagine wild starship designs (not to mention strange monsters living on mars and whole universe of adventure). The reality wasn't quite so captivating--artistically that is--in my opinion. The moon just a bunch of dust and rock? No crater creatures?

Anyways, onward to the interview!


BB: Hey David, nice to have you on the Christian sci-fi blog. Tell us about yourself.

David: My day job is as a surgeon practicing in the Houston Texas area. I was raised in upstate New York, number seven of nine sons. WE were a secular Jewish family. I became Christian at age forty. Christianity struck me as the natural extension of Judaism; really the fulfillment of the Jewish religion. I am married to a wonderful woman, (almost 25 years) and have three teenage children.

BB: When and why did you start writing fiction, and what stories have inspired you most?

David: I started writing in 2006. I had done a little bit of writing in high school and college and thought of becoming a writer, but I decided to take the easy way out and so I became a surgeon. My favorite writers and those that influenced me the most are Dickens and Hugo, particularly “A Tale of Two Cities” and “Les Miserables”

BB: Your novel, Future Hope, has a beautiful cover, how did you come by it?

David: The idea of depicting a spaceship rocketing towards the Garden of Eden came from the cover designer for the original version of the book. The design was modified by the graphic artists at Greenleaf Bookgroup to its present presentation.

BB: Is Future Hope your first book? Did you write anything before Future Hope? Short stories?

David: Future Hope is the first thing I had written in probably thirty five years. I had the idea for the story and some of the characters kicking around in my head for years before I finally put it down on paper. Since then I’ve written a sequel “Joshua and Aaron” and I have about twenty essays that are posted on my blog “heardintheor.blogspot.com”. There’s also a few chapters of “Little Bit’s Story” on my web site. I’m slowly working on this story and posting chapters at www.itpfuturehope.com.

BB: What's Future Hope about?

David: Future Hope starts with two quotes from Genesis, the first God addressing Adam and Eve forbidding them to eat from the Tree of Knowledge of  Good and Evil and the second Satan tempting Adam and Eve. The story, as all of humanity’s history can be viewed, depicts the culmination of this struggle between good and evil. Set in the year 2156 the world of that time has solved most of the problems of disease, hunger etc, but at the price of eliminating God and religion from society. The problem of dwindling resources leads to the first voyage through Interdimensional space looking for new worlds to colonize. The pilot, Major David Sanders, ends up in the Garden of Eden, but one where mankind never suffered the Fall. The story follows his struggle to return to earth, a struggle that leaves him a very changed man. The basic question that arises is “Which is better? God’s ways or man’s ways. It is left to the reader to decide.

BB: Your novel is cited as "eco-friendly". How does environment play into your plot?

David: The earth of the future is being depleted, while Eden is a rich, lush garden. There is a message that the depletion of natural resources comes with a great price.

BB: What was your journey to publication for this novel? Any speed bumps? How did you finally get the novel published?

David: I originally self published and then had it published through Greenleaf Book Group. My father, who is almost 95, really enjoyed it and I wanted to have it published while he was still able to read it.

BB: From your perspective, why do you think Christian sci-fi, fantasy, and other "speculative" sub-genres aren't well represented in the Christian community?

David: I think there is a perception that such genres cannot coexist with Christian values, an idea that is certainly false. Future Hope is definitely Christian, but is not whitewashed of any of its “edgy” components.

BB: Now's your time to stand up on a soap box and offer any sage-like thoughts. Is there anything cultural, political, literary, philosophical, or otherwise that's heavy on your heart?

David: The history of mankind can be viewed as a race either towards or away from salvation. When mankind suffered the Fall they chose Satan and a desire to “be like God” over a future walking with God. God has been gracious to send his Son to live and die for us through the Cross. The message of  “Future Hope” is that a world heading at light speed away from God will end up desperate and deprived. The true future hope is the hope that we have in Christ.